Do you enjoy puerile comedy, gratuitous nudity, and forced sentimentality? Oh boy do we have a film for you! When the Devil makes a bet with God that humanity would once again fall from grace if given a second chance, two college students find themselves propelled through history in the ultimate contest of Good vs. Evil. Designed to ride a wave of raunchy (and profitable) comedies produced in North America in the early '80s, Second Time Lucky imports an experienced British director and young American lead actors, and attempts to recreate the Garden of Eden near Thames.
What do you get when you mix together brainwashing, gory brain surgery, cryogenics, zombies, and motorbike chases? You get New Zealand's first horror film Death Warmed Up, a delirious tale of mad science and revenge. Hayden and L.J. dive in to discuss structure, influences, and Bruno Lawrence's exploding head.
There's no way to sugar-coat it: Wild Horses is an absolute trainwreck of a film. The story of how a man's dreams of wrangling horses are threatened by evil Government conservationists(?!), it's a baffling mess on almost every level. Hayden and L.J. break out their tools for an impromptu autopsy in an attempt to figure out how a production with so many talented people involved could go so horribly wrong.
Growing up isn't easy for young deaf-mute Jonasi (Telo Malese). Misunderstood and mistrusted by many in his isolated Pacific Island community, he finds companionship with a rare white turtle he encounters while fishing. But the turtle's presence will cause buried tensions to emerge within his small community as it struggles with a lengthy drought.
Adapted from a best-selling children's novel by Joy Cowley, The Silent One is an ambitious debut feature from director Yvonne Mackay. Hayden and L.J. dive in to discuss underwater photography, turtle wrangling, and how the film holds up today.
Never Repeats takes a trip back in time to post-WWII Auckland, a decidedly unglamorous place to live, unless you're Constance Elsworthy (Donogh Rees). A stylish and ambitious debut, Bruce Morrison's Constance is both a tribute to, and subversion of, the great Hollywood melodramas. Hayden and L.J. gather round their microphones to talk about the complex nature of the central character, the film's design, and whether it lives up to its ambitions.
What do you get when you make a movie based on a popular TV series, shuffle the main characters into supporting roles, and convince Patrick McGoohan to star in it? You end up with Peter Sharp's Trespasses, a psychological thriller about a young woman (Emma Piper) who runs off to join a commune to the consternation of her puritanical father (McGoohan). Spun-off from the TV cop drama Mortimer's Patch and co-written by Maurice Gee, it has all the ingredients of a fascinating film. So why does it remain obscure?
In the second of a two-part special, Hayden and L.J. sit down with director David Blyth (Angel Mine, Death Warmed Up) for an in-depth discussion of his career. In this episode we talk about his work on '90s TV shows like White Fang and Fresh-up in the Deep End, his documentaries about BDSM (Bound for Pleasure) and masking (Transfigured Nights), his controversial return to feature film-making with Wound, and his ongoing series of interviews with war veterans Memories of Service.
In the first of a two-part special, Hayden and L.J. sit down with director David Blyth (Angel Mine, Death Warmed Up) for an in-depth discussion of his career. In this episode we talk about the making of his controversial first feature Angel Mine, working on the TV soap Close to Home, getting A Woman of Good Character off the ground, meeting Alejandro Jodorowsky, being fired from The Horror Show, directing on the first season of Mighty Morphin Power Rangers, and much, much more.
The second feature (sort of) from director David Blyth is a marked departure from his debut Angel Mine - swapping suburban Auckland ennui for madness and isolation on a mid-1800s Canterbury sheep farm. The tale of a young English woman (Sarah Peirse) who takes up a servant position in rural New Zealand, It's Lizzie To Those Close was originally shot and screened as a television drama under the name A Woman Of Good Character, until producer Grahame McLean decided to expand it to feature-length several years later. Hayden and L.J. sit down to dissect both versions of the film and discuss how seemingly minor changes can completely alter the tone of a work.
Racism ho! Ever the gluttons for punishment, Hayden and L.J. sit down to watch big-budget pirate epic Savage Islands, an attempt to turn the story of real-life slaver and rapist Bully Hayes into an Indiana Jones-style adventure romp. What could possibly go wrong?